Godzilla Film 2014


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Godzilla Film 2014

Der zweite Hollywood-Film mit Godzilla ist realistisch, überraschend rund, unterhaltsam, laut und in 3D. Godzilla () in 3D. Inhalt: Viele Jahre. Unsere Kritik zum Monster-Epos Godzilla () von Gareth Edwards, Der neue Godzilla-Film könnte gar nicht besser losgehen: Von einer. Godzilla ist ein US-amerikanischer Monsterfilm des Regisseurs Gareth Edwards aus dem Jahr In der Hauptrolle spielt Aaron Taylor-Johnson, in weiteren.

Godzilla Film 2014 Inhaltsangabe & Details

Im Godzilla-Reboot bedroht nicht nur die japanische Riesenechse Godzilla die Erde. Das Militär unter wissenschaftlicher Führung von Dr. Ichiro Serizawa bewacht einen riesigen Kokon, der eine böse Überraschung bereit hält - einen gewaltigen. Godzilla ist ein US-amerikanischer Monsterfilm des Regisseurs Gareth Edwards aus dem Jahr In der Hauptrolle spielt Aaron Taylor-Johnson, in weiteren. Godzilla ein Film von Gareth Edwards (V) mit Aaron Taylor-Johnson, Bryan Cranston. Inhaltsangabe: Bei Bohrungen auf den Philippinen werden. Warten auf Godzilla. Ob die Welt wirklich einen weiteren Godzilla-Film braucht, kann man natürlich fragen. Aber wenn die Werbemaschine erst. Im Godzilla-Reboot bedroht nicht die japanische Riesenechse Godzilla die Erde, sondern ein anderes Wesen mit Heißhunger auf Radioaktivität. Godzilla (3D). gibt es ein weiteres Comeback der Riesenechse unter der Regie von Gareth Edwards ("Monsters") mit Aaron Taylor-Johnson und Elizabeth​. Godzilla: Actionfilm/Science-Fiction-Film von Brian Rogers/Thomas Tull mit Juliette Binoche/Bryan Cranston/David Strathairn. Jetzt im.

Godzilla Film 2014

Godzilla ist ein US-amerikanischer Monsterfilm des Regisseurs Gareth Edwards aus dem Jahr In der Hauptrolle spielt Aaron Taylor-Johnson, in weiteren. Godzilla: Actionfilm/Science-Fiction-Film von Brian Rogers/Thomas Tull mit Juliette Binoche/Bryan Cranston/David Strathairn. Jetzt im. Der zweite Hollywood-Film mit Godzilla ist realistisch, überraschend rund, unterhaltsam, laut und in 3D. Godzilla () in 3D. Inhalt: Viele Jahre. Godzilla Film 2014 Der zweite Hollywood-Film mit Godzilla ist realistisch, überraschend rund, unterhaltsam, laut und in 3D. Godzilla () in 3D. Inhalt: Viele Jahre. In diesem spektakulären Abenteuer muss Godzilla, das weltberühmte Monster, Aaaber der Film heisst "Godzilla", und dann will ich Godzilla auch sehen. Unsere Kritik zum Monster-Epos Godzilla () von Gareth Edwards, Der neue Godzilla-Film könnte gar nicht besser losgehen: Von einer.

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Patrick Sabongui. Jurassic Park III. Septemberabgerufen am Zu spät kann er das Signal entschlüsseln, und es kommt zu einer verheerenden Katastrophe…. Vieles hier ist gewagt und gewaltig. Als er mit Ford in die vermeintliche Gefahrenzone aufbricht Ex Mann sie an der Ruine des Atomkraftwerks Drop Off Deutsch, trauen sie beide ihren Augen nicht: Das Militär unter wissenschaftlicher Führung von Dr. Language: English Japanese. Edwards worked on his vision for the film at a stage at the Warner Bros. Theatrical release poster. Producer Thomas Tull made it Dazn College Football that Godzilla's design Tangerine Film to be accurate, stating, "We had to make triply sure we got it right. Jerry Boyd. Kong to be released on May 21, Technical Specs. Edwards stated, "The way I tried to view it was to imagine Godzilla was a real creature and No. from Toho saw him in the s and ran Camorra Mafia to the studio to make a movie about the creature and was trying their best to remember it and draw it.

After the release of 's Godzilla: Final Wars , marking the 50th anniversary of the Godzilla film franchise, Toho announced that it would not produce any films featuring the Godzilla character for ten years.

Toho demolished the water stage on its lot used in numerous Godzilla films to stage water scenes.

In August , Yoshimitsu Banno , who had directed 's Godzilla vs. The film was tentatively titled Godzilla 3D to the Max , and was to be a remake of the Godzilla vs.

Hedorah story. In , also through Anderson, Kerner Optical then came on board to develop the technology and to produce the 3-D film [51] and with Kerner's backing, in the fall of , the team met with Toho in Tokyo where they re-negotiated their license to allow the release of a feature-length 3-D theatrical production.

In , Rogers, Anderson and the then-proposed director Keith Melton met with Legendary Pictures to get their backing on a 3-D theatrical film.

In , it was green-lit by Legendary to go to production. In November , Banno stated that he still planned to make a sequel to Godzilla vs.

Hedorah ; [55] however, Banno passed away on May 7, In August , rumors surfaced that Legendary was in talks with Toho to produce a new American Godzilla film to be released in , [57] and on March 29, , Legendary officially announced its acquisition of the Godzilla license.

According to Hideyuki Takai, president of Toho Co. We intend to do justice to those essential elements that have allowed this character to remain as pop culturally relevant for as long as it has.

At the 3D Summit conference held in September at Universal Studios , producer Brian Rogers confirmed a targeted release date for , the reboot will be a live-action project featuring a fully computer-generated Godzilla battling two other monsters rather than simply the military as seen in Emmerich's film.

Rogers also confirmed that the two Godzilla head designs online rumored to have been designed by Legendary and sent to Toho for approval were fake.

Rogers also stressed his and Legendary's wish to revive Godzilla in the same fashion Legendary had revived Batman. In October , it was rumoured that Guillermo del Toro was approached to direct the film, which del Toro later denied.

It must be brilliant in every category because I'm a fan as well. The film remained in development into , missing the planned release date. Edwards worked on his vision for the film at a stage at the Warner Bros.

The production team developed Godzilla models, artwork and pre-visualizations of the action scenes of the movie. From the lot, Edward directed a short teaser video, shown to Legendary executives and later shown at the San Diego Comic-Con International in July But the reason I got excited about it is because I saw themes and relationships to the modern world that I could tell in this story that was important.

When Edwards' signing was announced, it was also announced that Callaham's first draft would be rewritten by another writer.

Goyer was attached to rewrite the script. In January , Frank Darabont was hired for a final rewrite. The film would add a "very compelling human drama" and that Godzilla would be tied to a "different contemporary issue" rather than the original atomic bomb testing.

Commenting on Darabont's work, Edwards stated, "We blocked out the whole story and Frank did a pass at helping the characters and emotions.

He delivered on that. Frank brought a lot of heart to it and soul. In July , Edwards confirmed an origin story for the film.

He also discussed the themes incorporated into the film, stating "Godzilla is definitely a representation of the wrath of nature.

We've taken it very seriously and the theme is man versus nature and Godzilla is certainly the nature side of it. You can't win that fight.

Nature's always going to win and that's what the subtext of our movie is about. He's the punishment we deserve". Actor Bryan Cranston praised Edwards' vision, tone, and pitch for the film and titular character.

In an interview with Canada's Entertainment Tonight, he compared Edwards' approach similar to Steven Spielberg 's style in Jaws where the film does not immediately show the beast but rather build up to its appearance while still delivering an eerie and terrifying off-screen presence.

In licensing Godzilla to Legendary, Toho set down some specific conditions: that Godzilla is born of a nuclear incident and it be set in Japan.

The film has a title montage set in , and then moves forward to and deals with a mysterious disaster at a fictional Japanese nuclear power plant named Janjira.

The idea was rejected after the production learned that Man of Steel had a potentially similar scene. Producer Thomas Tull made it clear that Godzilla's design had to be accurate, stating, "We had to make triply sure we got it right.

Godzilla had to look like Godzilla. Edwards and the design group reviewed all previous incarnations of Godzilla's design for inspiration.

Edwards stated, "The way I tried to view it was to imagine Godzilla was a real creature and someone from Toho saw him in the s and ran back to the studio to make a movie about the creature and was trying their best to remember it and draw it.

And in our film you get to see him for real. In October , toy and collectible web sites offering pre-orders of merchandise for the film revealed aspects of the other creatures to appear in the movie.

The other creatures are, as a group, known as "MUTOs", with some having the ability to fly and being multi-limbed.

For Empire magazine's April issue, the magazine cover featured a picture of Godzilla, revealing the monster's design.

According to Edwards, elements of the faces of bears, dogs and eagles were incorporated into the design of Godzilla's face.

Serkis stated that the film's performance capture had already been filmed before he was approached. The Godzilla roar was revamped for the movie.

According to Edwards, sound designer Erik Aadahl improved on the original sound effect provided by Toho. Using microphones that could record sound inaudible to humans, the team found sounds to match the initial shriek and the finishing bellow.

The new roar retains the musical key and cadence of the roar, going from a C to a D. The final version was the 50th the team produced. The pair tested the roar on a back lot at Warner Bros.

In an interview with The Verge , Edwards commented that it took over a year to design the MUTO creatures because the crew wanted to create something new and different for contemporary audiences.

Edwards and the design team looked to creatures from such films as Jurassic Park , Alien , Starship Troopers and King Kong for inspiration, reflecting on what made their designs so iconic.

From this, the design for the MUTOs kept evolving and "mutating," according to Edwards, into a cohesive design. Storm provided the performance capture for Godzilla [40] [41] while Matt Cross and Lee Ross provided additional motion capture performances.

We tried to keep that, and there are a lot of themes from the '54 movie that we've kept. Edwards decided on a restrained approach similar to when films were fueled by a "sense of anticipation" and relied on "high suspense", citing Alien , Jaws , and Close Encounters of the Third Kind as influences.

On why Edwards chose a restrained direction, he stated, "I felt that in modern cinema it's so easy to just throw everything at the screen constantly.

We were trying to do the same thing here. Katsuhiro Otomo 's s manga and anime film Akira had also influenced the visual design of the film.

Edwards stated, " Real life events such as the Indian tsunami , Hurricane Katrina , and the Fukushima nuclear disaster served as heavy influences on the realism behind the film's destruction scenes and man vs.

In late , the plans for the film's filming, release and distribution were revealed. In September , Legendary announced a theatrical release date of May 16, , in 3-D.

Legendary turned its attention to casting parts for the movie. On January 7, , it was reported that Joseph Gordon-Levitt had turned down being cast in the film in the fall of According to the complaint, Legendary had decided in the fall of to not employ the three as producers on the film and the three were not eligible for any producer fees.

The three argued that the suit should be decided in open court, not in arbitration, and that Legendary should be responsible for damages for breach of contract.

At the start of principal photography in March , Legendary formally announced the cast and producers. Jones and Sally Hawkins were added.

Takarada had publicly appealed to be part of the production and the photo indicates some sort of role for the Japanese actor in the reboot. In April , Takarada said in an interview that his role was cut from the final version of the film.

He had the role of an immigration officer. This was followed by filming in the Richmond neighborhood of Steveston.

A large battle scene was shot on Moncton St, involving approximately soldiers and many military vehicles. Another scene was filmed at the fisherman's wharf along Finn Slough.

Additional filming involving extras took place around industrial areas of Coquitlam , British Columbia. The scenes at the Convention Centre stood in for the Honolulu and Tokyo airports, while other locations in Vancouver were used to simulate scenes in San Francisco, Tokyo and the Philippines.

Further on-location filming was done in June and July in Honolulu, Hawaii. In an interview, Aaron Taylor-Johnson described the filming as mostly on-location, with very little use of green screens.

He described the film crew as fairly small compared to other films he has worked on, "almost an independent production. Seamus McGarvey served as the film's cinematographer, shooting the film digitally using Arri Alexa cameras with Panavision C-Series anamorphic lenses.

Sequences of the film set in the year were shot using vintage lenses from the early s in order to give the film a "distant period feel.

I found a lot of photographs and magazines, and I knew that I wanted the blacks to be imbued with a tint of magenta.

McGarvey himself decided to shoot the film as if it were only 2D, because he dislikes working with 3D filming equipment and the experience of watching 3D films in theatres.

The U. Navy cooperated in the making of the movie and filming took place on three U. Army also participated in the movie with the support of three technical advisors.

Marine Corps , which had participated in the film, declined to participate after reviewing the script, which featured Navy personnel.

James D. Dever, one of the film's military technical advisers, to "ensure he had good military bearing". Dever also helped stuntmen train for high-altitude, low-opening jumps.

Director Gareth Edwards has said that he "intentionally placed humans in shots to give the scene a sense of scale, as everyone knows the size of a human, so we know the size of a creature or a building.

We would say 'Imagine it was a news story, or a sports event, cameramen would put cameras where they could in a hurry, and get any shot they could.

Especially when [Godzilla] is first seen, we wanted a build up, and then pan up, we see him, and then we don't see him. I love that. Visual effects on the film were supervised by visual effects supervisor Jim Rygiel , best known for his work on The Lord of the Rings movie trilogy.

To create a CG version of Godzilla, MPC studied various animals such as bears, Komodo dragons, lizards, lions and wolves which helped the visual effects artists visualize Godzilla's body structure like that of its underlying bone, fat and muscle structure as well as the thickness and texture of its scale.

The production used high-quality panorama photos of the San Francisco skyline, and built a three-dimensional map of the city.

The map was used in the background of sequences shot on the bridge set in Vancouver. According to Jim Rygiel, "this technique gives you a real city that is accurate down to every piece of mortar in a brick building, so, using that, we were able to composite the live action shots with the key frame -animated monsters destroying digital buildings into a seamless whole.

The studio digitized actual military equipment from the 7th Infantry Division of the Army. The tracks were mixed by Gregg Landaker in the Dolby Atmos surround-sound format for exhibition in theaters with Atmos-equipped sound systems.

Film composer Alexandre Desplat was hired to compose an original soundtrack for Godzilla. Desplat accepted the contract after being impressed with Edwards' film Monsters.

Desplat describes the soundtrack for Godzilla as "non-stop fortissimo , with lots of brass, Japanese drums, and electric violin. The film score was released by WaterTower Music on May 12 and 13, The teaser trailer included a depiction of Godzilla faithful to the Toho monster, including its roar, and a "gigantic centipede-like monster.

Screenwriter Max Borenstein later confirmed that the centipede monster was conceived only for the teaser and only to indicate that Godzilla would fight another creature.

It was included in the teaser before Borenstein completed writing the script. During filming in Vancouver, Legendary released several videos and still pictures of filming in Vancouver on its Facebook site.

Pictures included a destroyed subway car with a green screen backdrop, soldiers inspecting a radioactive vault and wreckage on a shoreline.

In July , Legendary launched a "viral" website godzillaencounter. The company was promoting the film at the SDCC, and converted a warehouse in San Diego to the "Godzilla Encounter" exhibit in conjunction with the convention.

The exhibit also had artifacts from the franchise series, including the "Oxygen Destroyer" of the original film, and a Godzilla costume from Godzilla At a session at the Comic-Con, Legendary showed footage from the film.

As reported by various media, the footage is of a large monster, reminiscent of the Cloverfield monster , attacking an airport, when Godzilla's foot appears next to the monster.

Godzilla's height is revealed to be several times the size of the other monster and a battle ensues, but Godzilla's face is not revealed.

Various clips of scenes with Cranston, Taylor-Johnson and Olsen were also shown. In October , the proof of concept footage shown at SDCC was leaked online and was available on several video sharing websites for several days before Warner Bros.

Toho launched a web site of its own, godzilla. The second trailer was released on February 25, Several more trailers were released, with variations for North America, Japan, Asia outside Japan and internationally.

In cross promotion, Godzilla appeared in a light-hearted commercial for the Snickers chocolate bar, playing ping pong and water skiing.

The angry Godzilla is calmed by eating a Snickers bar. Godzilla is portrayed as both human-sized and much larger.

In it, Godzilla is rampaging through a city, devouring Fiat cars as he goes, with a soldier claiming that he was "craving Italian.

Nearly choking on it, he spits out the car as it drives away. Legendary Pictures had set up a new Applied Analytics Group to direct its marketing efforts, and Godzilla was the first film that used analytics, similar to the use of sports analytics, to direct its marketing.

According to Legendary CEO Thomas Tull, it developed a news software program named "Eddington", which, based on a massive database, was able to determine demographic trends among sub-groups of core filmgoers.

According to Tull, Legendary spent less in marketing than it had in the past. In July , Japan completed a 6. In June , Variety reported that Warner Bros.

Consumer Products and Legendary Entertainment had assembled a large team of partners to make licensed merchandise to be released in conjunction with the film.

A novelization , written by science-fiction writer Greg Cox , was published by Titan Books in May , to coincide with the film's release. Two other books were scheduled for release including Godzilla: With Light and Sound!

Legendary announced in January , along with a video message by Edwards, a tie-in graphic novel to be released on May 7, , one week before the movie.

The tagline is "Delve into an incredible mystery, generations in the making. At the dawn of the atomic age, humanity awakens lifeforms beyond imagination, unleashing monumental forces of nature.

Pictures of the line of toys, including a Godzilla "Atomic Roar" model by Bandai , were leaked to the internet in March The Godzilla model has "atomic fire breath".

Monsterarts version of the Godzilla is also announced by Bandai, which is released in September The game, titled Godzilla Smash 3 , allows moves by matching three items of a similar type in a row.

Above the game board, a view of Godzilla destroying various military vehicles is featured and the different attacks correspond to the combinations the player scores.

The game was released in May Godzilla had its red carpet premiere at the Dolby Theatre in Hollywood on May 8, Edwards said, "They saw it yesterday and I got an e-mail saying they thought it was fantastic!

So that was a relief. Toho released the film on Blu-ray and DVD formats in Japan on February 25, , as well as a five-disc limited edition Blu-ray set including the 3D Blu-ray, 2D Blu-ray, DVD, a disc of bonus features includes the North American special features, as well as additional Japan-exclusive features , a full color booklet with Japanese promotional art, and an exclusive S.

MonsterArts figure. Godzilla received generally positive reviews from critics. The site's critical consensus states, "With just enough human drama to anchor the sweeping spectacle of giant monsters smashing everything in sight, Gareth Edwards' Godzilla satisfyingly restores the franchise's fire-breathing glory.

Club named Godzilla the second-best film of Michael Phillips of the Chicago Tribune awarded the film three and a half stars, finding that the film "makes up" for the version and praised Edwards' directing and build-up, and defended Godzilla's screen-time, stating, "Is there enough Godzilla in Godzilla?

Folks, there is. There is just enough. It is not about Godzilla or the beasts he fights, it's a combination epic horror film and parable of nature in revolt, filled with odd ellipses and surprising but appropriate storytelling choices, such as an early monster duel that plays out mainly on CNN.

Japanese critics and journalists have praised the film for putting "more of an effort to honor the spirit and visual style of the Japanese series" but criticized the film for "complicating the anti-war, anti-nuclear sensibility" and "lack of nerve on the part of the filmmakers to say anything substantial about nuclear weapons or nuclear energy".

There are far more overt displays of affection in the first 15 minutes of the Godzilla than in the entire Japanese franchise, which totaled one very chaste kiss over 50 years.

The Godzilla character, in its heroism, is reminiscent of the s and s Japanese Godzilla, but not anthropomorphized like those. Also, the identity of the character as Japanese is lost: "In the 28 films made by Toho, Godzilla is unmistakably identified as one of wareware Nihonjin we Japanese.

Ed Godziszewski author of The Illustrated Encyclopedia of Godzilla felt that the film did not provide much social commentary like previous Godzilla films, stating, "The film paid superficial lip service at best to the nuclear issue, but really there's almost nothing of substance there.

Rather than offering caution about nuclear energy, the new film almost gives you the idea that nuclear weapons are actually the answer to everything".

Godziszewski did iterate that he did enjoy the film and praised the monster battles for being choreographed closer to the original Toho films than how Pacific Rim was choreographed.

David Kalat author of A Critical History and Filmography of Toho's Godzilla Series felt that Edwards figured out a successful "modern American context" for the film in supporting American troops, stating, "Edwards' Godzilla takes that concept and weaponizes it: we're used to seeing Godzilla movies where the military fails because they're stupid, but seeing them fail but be heroic while failing is new.

It's also something the culture needs—and it's the kind of heretical idea that's otherwise hard to dramatize in pop culture, just like the original Godzilla's anti-American stance was so potent in But his film does not comment on those images or what they might mean, and so they unspool as hollow exercises in technical prowess.

Godzilla is said to be a force of nature reawakened, but by what? Without that answer, the latest Godzilla reboot is about nothing. Kong , set for a release date.

Prior to announcing a shared cinematic universe between Godzilla and King Kong, Legendary originally intended to produce a trilogy with Gareth Edwards attached to direct the sequels, [] however, Edwards left the sequel in May to work on smaller scale projects.

Pictures , except in Japan where it was distributed by Toho. Godzilla vs. Kong was announced in October The film's writers room was assembled in March and Adam Wingard was announced as the director in May Principal photography began in November in Hawaii and Australia and concluded in April Pictures, except in Japan where it will be distributed by Toho.

From Wikipedia, the free encyclopedia. Theatrical release poster. Legendary Pictures. Warner Bros. Pictures Worldwide Toho Japan. Release date.

Running time. Gareth Edwards — director Patricia Whitcher — executive producer Alex Garcia — executive producer Yoshimitsu Banno — executive producer Kenji Okuhira — executive producer Owen Paterson — production designer Sharen Davis — costume designer Jim Rygiel — visual effects supervisor.

Alexandre Desplat. The story is about a a gigantic beast looking to wreak havoc on mankind - and he may not be alone.

This movie has one of the best visual effect's of the year by far, The fight scenes at the end are so epic and amazing I also cried with joy.

And some critics have said the characters are boring but I didn't mind them. My favorite scene has to be the sky driving part and yeah I know it only lasted only 2 minutes but the music was scary and chilling and the cinematography was beautiful to look at.

Godzilla looked awesome in the movie and the final fight at the end was so bad-ass and so much better then pacific Rim fight scenes.

Godzilla's roar in this movie was loud and scary. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.

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Rate This. The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.

Director: Gareth Edwards. Watch on Prime Video included with Prime. Added to Watchlist. Legendary Pictures. Revolutionary Sound Mix! Nuclear Panic!

Dread Central Media. Consultado em 23 de maio de Bloody Disgusting. USA Today. Hedorah Godzilla vs. Gigan Godzilla vs. Megalon Godzilla vs.

Mechagodzilla Terror of Mechagodzilla The Return of Godzilla Godzilla vs. Biollante Godzilla vs. King Ghidorah Godzilla vs.

Mothra Godzilla vs. Mechagodzilla II Godzilla vs.

Godzilla Trailer 3 DF. Aaron Taylor-Johnson. Die menschlichen Akteure sind spätestens in der Uschi Glass Filmhälfte zum Zuschauen verdammt, allen voran die Figur von Aaron Taylor Johnson, der mit zunehmender Zoey Burger zum Hauptdarsteller avanciert. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Die besten Filme auf Netflix Listen für alle Genres. Serizawa klärt Ford über die Organisation Monarch auf, die der Erforschung der Riesenmonster Game Of Throned, und er erfährt von der Existenz eines noch mächtigeren Monsters, das zugleich der natürliche Feind der Mutos ist: Godzilla. Godzilla vs. Godzilla Film 2014 Edit Storyline Inthe Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Retrieved December 24, The film is a co-production [44] of Legendary Pictures and Warner Bros. Director Gareth Edwards has said that he "intentionally placed humans in shots Pbb give the scene a sense of scale, as everyone knows the size of a human, so Jo In Sung know the size of a creature or a building. King Ghidorah Godzilla vs. Retrieved October 22, At the dawn of the atomic age, humanity awakens lifeforms beyond imagination, unleashing monumental forces of nature. Serkis stated that the film's performance capture had already been filmed before he was approached. Retrieved April 8, The First Avenger: Menschen Kommen Und Gehen War. Richard T. Nachdem dieser auf seiner Vermehrungsmission eine Schneise der Zerstörung nach sich zieht, gibt es für die Brüste Zeigen nur noch eine Hoffnung auf Rettung: Godzilla. Interviews, Making-Of und Ausschnitte. A Million Little Pieces Man verpflichtete Gareth Edwards als Regisseur, wie im Januar bekannt wurde. Mission erfüllt! Als Joe sich dorthin aufmacht und ihn sein Sohn Ford folglich aus dem japanischen Peter Pan Film abholen muss, bricht eine noch mächtigere Katastrophe los. Godzilla besiegt am Ende beide Mutos, doch kollabiert er nach seinem Kampf. Ichiro Serizawa Ken Watanabeder die Urzeitmonster seit Jahrzehnten erforscht, glaubt die einzige Lösung zu kennen: ein sagenumwobenes weiteres Monster und Mutos natürlicher Feind: Godzilla! In: Süddeutsche Zeitung. Deine Bewertung. Auflistung auf InsideKino. Serizawa Little Britain Imdb Ford über die Organisation Monarch auf, die der Erforschung der Riesenmonster dient, und er erfährt von der Existenz eines noch mächtigeren Monsters, das zugleich der natürliche Feind der Mutos ist: Godzilla. Parts Per Billion.

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Takarada had publicly appealed to be part of the production and the photo indicates some sort of role for the Japanese actor in the reboot.

In April , Takarada said in an interview that his role was cut from the final version of the film.

He had the role of an immigration officer. This was followed by filming in the Richmond neighborhood of Steveston.

A large battle scene was shot on Moncton St, involving approximately soldiers and many military vehicles.

Another scene was filmed at the fisherman's wharf along Finn Slough. Additional filming involving extras took place around industrial areas of Coquitlam , British Columbia.

The scenes at the Convention Centre stood in for the Honolulu and Tokyo airports, while other locations in Vancouver were used to simulate scenes in San Francisco, Tokyo and the Philippines.

Further on-location filming was done in June and July in Honolulu, Hawaii. In an interview, Aaron Taylor-Johnson described the filming as mostly on-location, with very little use of green screens.

He described the film crew as fairly small compared to other films he has worked on, "almost an independent production. Seamus McGarvey served as the film's cinematographer, shooting the film digitally using Arri Alexa cameras with Panavision C-Series anamorphic lenses.

Sequences of the film set in the year were shot using vintage lenses from the early s in order to give the film a "distant period feel.

I found a lot of photographs and magazines, and I knew that I wanted the blacks to be imbued with a tint of magenta. McGarvey himself decided to shoot the film as if it were only 2D, because he dislikes working with 3D filming equipment and the experience of watching 3D films in theatres.

The U. Navy cooperated in the making of the movie and filming took place on three U. Army also participated in the movie with the support of three technical advisors.

Marine Corps , which had participated in the film, declined to participate after reviewing the script, which featured Navy personnel.

James D. Dever, one of the film's military technical advisers, to "ensure he had good military bearing". Dever also helped stuntmen train for high-altitude, low-opening jumps.

Director Gareth Edwards has said that he "intentionally placed humans in shots to give the scene a sense of scale, as everyone knows the size of a human, so we know the size of a creature or a building.

We would say 'Imagine it was a news story, or a sports event, cameramen would put cameras where they could in a hurry, and get any shot they could.

Especially when [Godzilla] is first seen, we wanted a build up, and then pan up, we see him, and then we don't see him. I love that.

Visual effects on the film were supervised by visual effects supervisor Jim Rygiel , best known for his work on The Lord of the Rings movie trilogy.

To create a CG version of Godzilla, MPC studied various animals such as bears, Komodo dragons, lizards, lions and wolves which helped the visual effects artists visualize Godzilla's body structure like that of its underlying bone, fat and muscle structure as well as the thickness and texture of its scale.

The production used high-quality panorama photos of the San Francisco skyline, and built a three-dimensional map of the city. The map was used in the background of sequences shot on the bridge set in Vancouver.

According to Jim Rygiel, "this technique gives you a real city that is accurate down to every piece of mortar in a brick building, so, using that, we were able to composite the live action shots with the key frame -animated monsters destroying digital buildings into a seamless whole.

The studio digitized actual military equipment from the 7th Infantry Division of the Army. The tracks were mixed by Gregg Landaker in the Dolby Atmos surround-sound format for exhibition in theaters with Atmos-equipped sound systems.

Film composer Alexandre Desplat was hired to compose an original soundtrack for Godzilla. Desplat accepted the contract after being impressed with Edwards' film Monsters.

Desplat describes the soundtrack for Godzilla as "non-stop fortissimo , with lots of brass, Japanese drums, and electric violin. The film score was released by WaterTower Music on May 12 and 13, The teaser trailer included a depiction of Godzilla faithful to the Toho monster, including its roar, and a "gigantic centipede-like monster.

Screenwriter Max Borenstein later confirmed that the centipede monster was conceived only for the teaser and only to indicate that Godzilla would fight another creature.

It was included in the teaser before Borenstein completed writing the script. During filming in Vancouver, Legendary released several videos and still pictures of filming in Vancouver on its Facebook site.

Pictures included a destroyed subway car with a green screen backdrop, soldiers inspecting a radioactive vault and wreckage on a shoreline. In July , Legendary launched a "viral" website godzillaencounter.

The company was promoting the film at the SDCC, and converted a warehouse in San Diego to the "Godzilla Encounter" exhibit in conjunction with the convention.

The exhibit also had artifacts from the franchise series, including the "Oxygen Destroyer" of the original film, and a Godzilla costume from Godzilla At a session at the Comic-Con, Legendary showed footage from the film.

As reported by various media, the footage is of a large monster, reminiscent of the Cloverfield monster , attacking an airport, when Godzilla's foot appears next to the monster.

Godzilla's height is revealed to be several times the size of the other monster and a battle ensues, but Godzilla's face is not revealed. Various clips of scenes with Cranston, Taylor-Johnson and Olsen were also shown.

In October , the proof of concept footage shown at SDCC was leaked online and was available on several video sharing websites for several days before Warner Bros.

Toho launched a web site of its own, godzilla. The second trailer was released on February 25, Several more trailers were released, with variations for North America, Japan, Asia outside Japan and internationally.

In cross promotion, Godzilla appeared in a light-hearted commercial for the Snickers chocolate bar, playing ping pong and water skiing.

The angry Godzilla is calmed by eating a Snickers bar. Godzilla is portrayed as both human-sized and much larger.

In it, Godzilla is rampaging through a city, devouring Fiat cars as he goes, with a soldier claiming that he was "craving Italian.

Nearly choking on it, he spits out the car as it drives away. Legendary Pictures had set up a new Applied Analytics Group to direct its marketing efforts, and Godzilla was the first film that used analytics, similar to the use of sports analytics, to direct its marketing.

According to Legendary CEO Thomas Tull, it developed a news software program named "Eddington", which, based on a massive database, was able to determine demographic trends among sub-groups of core filmgoers.

According to Tull, Legendary spent less in marketing than it had in the past. In July , Japan completed a 6. In June , Variety reported that Warner Bros.

Consumer Products and Legendary Entertainment had assembled a large team of partners to make licensed merchandise to be released in conjunction with the film.

A novelization , written by science-fiction writer Greg Cox , was published by Titan Books in May , to coincide with the film's release.

Two other books were scheduled for release including Godzilla: With Light and Sound! Legendary announced in January , along with a video message by Edwards, a tie-in graphic novel to be released on May 7, , one week before the movie.

The tagline is "Delve into an incredible mystery, generations in the making. At the dawn of the atomic age, humanity awakens lifeforms beyond imagination, unleashing monumental forces of nature.

Pictures of the line of toys, including a Godzilla "Atomic Roar" model by Bandai , were leaked to the internet in March The Godzilla model has "atomic fire breath".

Monsterarts version of the Godzilla is also announced by Bandai, which is released in September The game, titled Godzilla Smash 3 , allows moves by matching three items of a similar type in a row.

Above the game board, a view of Godzilla destroying various military vehicles is featured and the different attacks correspond to the combinations the player scores.

The game was released in May Godzilla had its red carpet premiere at the Dolby Theatre in Hollywood on May 8, Edwards said, "They saw it yesterday and I got an e-mail saying they thought it was fantastic!

So that was a relief. Toho released the film on Blu-ray and DVD formats in Japan on February 25, , as well as a five-disc limited edition Blu-ray set including the 3D Blu-ray, 2D Blu-ray, DVD, a disc of bonus features includes the North American special features, as well as additional Japan-exclusive features , a full color booklet with Japanese promotional art, and an exclusive S.

MonsterArts figure. Godzilla received generally positive reviews from critics. The site's critical consensus states, "With just enough human drama to anchor the sweeping spectacle of giant monsters smashing everything in sight, Gareth Edwards' Godzilla satisfyingly restores the franchise's fire-breathing glory.

Club named Godzilla the second-best film of Michael Phillips of the Chicago Tribune awarded the film three and a half stars, finding that the film "makes up" for the version and praised Edwards' directing and build-up, and defended Godzilla's screen-time, stating, "Is there enough Godzilla in Godzilla?

Folks, there is. There is just enough. It is not about Godzilla or the beasts he fights, it's a combination epic horror film and parable of nature in revolt, filled with odd ellipses and surprising but appropriate storytelling choices, such as an early monster duel that plays out mainly on CNN.

Japanese critics and journalists have praised the film for putting "more of an effort to honor the spirit and visual style of the Japanese series" but criticized the film for "complicating the anti-war, anti-nuclear sensibility" and "lack of nerve on the part of the filmmakers to say anything substantial about nuclear weapons or nuclear energy".

There are far more overt displays of affection in the first 15 minutes of the Godzilla than in the entire Japanese franchise, which totaled one very chaste kiss over 50 years.

The Godzilla character, in its heroism, is reminiscent of the s and s Japanese Godzilla, but not anthropomorphized like those. Also, the identity of the character as Japanese is lost: "In the 28 films made by Toho, Godzilla is unmistakably identified as one of wareware Nihonjin we Japanese.

Ed Godziszewski author of The Illustrated Encyclopedia of Godzilla felt that the film did not provide much social commentary like previous Godzilla films, stating, "The film paid superficial lip service at best to the nuclear issue, but really there's almost nothing of substance there.

Rather than offering caution about nuclear energy, the new film almost gives you the idea that nuclear weapons are actually the answer to everything".

Godziszewski did iterate that he did enjoy the film and praised the monster battles for being choreographed closer to the original Toho films than how Pacific Rim was choreographed.

David Kalat author of A Critical History and Filmography of Toho's Godzilla Series felt that Edwards figured out a successful "modern American context" for the film in supporting American troops, stating, "Edwards' Godzilla takes that concept and weaponizes it: we're used to seeing Godzilla movies where the military fails because they're stupid, but seeing them fail but be heroic while failing is new.

It's also something the culture needs—and it's the kind of heretical idea that's otherwise hard to dramatize in pop culture, just like the original Godzilla's anti-American stance was so potent in But his film does not comment on those images or what they might mean, and so they unspool as hollow exercises in technical prowess.

Godzilla is said to be a force of nature reawakened, but by what? Without that answer, the latest Godzilla reboot is about nothing. Kong , set for a release date.

Prior to announcing a shared cinematic universe between Godzilla and King Kong, Legendary originally intended to produce a trilogy with Gareth Edwards attached to direct the sequels, [] however, Edwards left the sequel in May to work on smaller scale projects.

Pictures , except in Japan where it was distributed by Toho. Godzilla vs. Kong was announced in October The film's writers room was assembled in March and Adam Wingard was announced as the director in May Principal photography began in November in Hawaii and Australia and concluded in April Pictures, except in Japan where it will be distributed by Toho.

From Wikipedia, the free encyclopedia. Theatrical release poster. Legendary Pictures. Warner Bros.

Pictures Worldwide Toho Japan. Release date. Running time. Gareth Edwards — director Patricia Whitcher — executive producer Alex Garcia — executive producer Yoshimitsu Banno — executive producer Kenji Okuhira — executive producer Owen Paterson — production designer Sharen Davis — costume designer Jim Rygiel — visual effects supervisor.

Alexandre Desplat. Main articles: Godzilla: King of the Monsters film , Godzilla vs. Kong , and MonsterVerse.

Godzilla and The Return of Godzilla Godzilla featured additional footage with Western actors filmed by small Hollywood production companies that merged the American footage with the original Japanese footage in order to appeal to American audiences.

The first Godzilla film to be completely produced by a Hollywood studio was the film of the same name.

British Board of Film Classification. Retrieved May 12, A Warner Bros. Screen International. Retrieved May 16, Archived from the original on September 4, Retrieved September 4, March 10, Deadline Hollywood.

The Numbers. Retrieved March 13, Archived from the original on June 21, Retrieved February 26, May 19, Retrieved March 12, Archived from the original on May 22, Retrieved May 22, Retrieved May 11, Scifi Japan.

May 2, Retrieved July 18, April 10, Archived from the original on February 12, Retrieved April 11, Marine Corps Times. May 10, Archived from the original on May 10, Retrieved Digital Spy.

Retrieved May 23, Dread Central. Scifi Now. Retrieved July 29, May 9, Retrieved April 8, Retrieved April 6, I just wanted to please my son " ".

May 23, February 12, Shock Till You Drop. Retrieved October 17, Retrieved July 27, Archived from the original on April 8, July 24, Retrieved April 24, Retrieved March 26, Syfy Wire.

Archived from the original on March 16, Retrieved March 16, Retrieved October 30, Business Insider. Retrieved June 17, Retrieved September 3, Retrieved August 6, Retrieved June 11, Bucket Movies.

May 3, Archived from the original on December 29, Retrieved February 16, Slash Film. Joe For America. Cosmic Book News. Retrieved February 6, May 12, Hollywood Reporter.

Retrieved April 9, Bloody Disgusting. Retrieved August 14, The Hollywood Reporter. Archived from the original on Retrieved February 9, Den of Geek.

Sam Brody Sally Hawkins Vivienne Graham Juliette Binoche Sandra Brody David Strathairn Admiral William Stenz Richard T. Captain Russell Hampton Victor Rasuk Sergeant Tre Morales Patrick Sabongui Jump Master Luc Roderique Bomb Tracker James Pizzinato Edit Storyline In , the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra.

Plot Keywords: radiation atomic breath halo parachute jump u. Edit Did You Know? In particular, his face is influenced by the heads of bears, dogs, and eagles.

Edwards said the eagle "has a lot of nobility. It made him feel very majestic and noble. Goofs One scene shows a downed airplane on fire, with a Tower Ladder suppressing the fire with a master stream.

The Tower Ladder does not have its outriggers deployed, nor is it receiving water via supply lines. A truck with its ladder raised and outriggers in would tip over.

If it has a water tank, it would run dry in less than a minute. Quotes [ first lines ] Boyd : Dr. Jerry Boyd. I'm warning you, it's a mess.

It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you. Crazy Credits During the credits for Bryan Cranston, the rest of the text is redacted except for the words "Walter" and "White".

Was this review helpful to you? Yes No Report this. Q: Where does the story take place? Q: What is the choral music used in the official trailer?

Country: USA Japan. Language: English Japanese. Production Co: Warner Bros. Runtime: min. Megalon Godzilla vs. Mechagodzilla Terror of Mechagodzilla The Return of Godzilla Godzilla vs.

Biollante Godzilla vs. King Ghidorah Godzilla vs. Mothra Godzilla vs. Mechagodzilla II Godzilla vs. SpaceGodzilla Godzilla vs.

Destoroyah Godzilla Godzilla vs. Godzilla, King of the Monsters! Monster Zero Godzilla Kong Zone Fighter Ike!

Godman — Ike!

Godzilla Film 2014 - Filmhandlung und Hintergrund

Start Film-Kritik Action. Wieder einmal komme ich aus dem Kino mit dem Gefühl "Schade, da war mehr drin". Godzilla Film 2014

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